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Scottsville, NY

Surface Embellishment

Beginner

Surface embellishment is a way to add visual interest and value to your work. It can be used to differentiate good work from work that is truly remarkable. Imagine opening a cabinet door and being greeted by a burst of color or delighting in the texture of a carved drawer front. Consider the visual impact of ebonized legs supporting a table top or the discovery of the gilded interior of a box. These are all examples of ways that embellishment can be used to enhance a project. These techniques can be used on furniture, turned objects, boxes, and more. They can even be used to transform a cheap, mass-produced item into a lovely, thoughtful gift. In this 1-day action-packed technique class students will learn a variety of ways to embellish their work. In between demos there will be plenty of time for hands-on practice of the techniques. Students will be encouraged to play and explore as they learn to take their work to a whole new level of WOW!  

TOPICS TO BE COVERED

  • Ebonizing
  • Pyrography (wood burning)
  • Gilding
  • Creating textures
  • Fun with fire! (AKA torching your wood)
  • Unexpected use of color
  • Color with texture
  • Texture with gilding
  • Ebonizing with pyrograph
  • Whatever combo your heart desires!

Recommended student tool list:

  • Note taking supplies
  • Ear and eye protection – required for use of equipment
  • Water bottle
  • Wood burner and various tips if you have one
  • Small brass brushes (cheap from Harbor Freight)
  • Plumber’s torch and lighter if you have one
  • Variety of sharp carving gouges or Dremel tool with carving burrs or Foredom tool with carving burrs
  • Drawing tools like circle templates and French curves
  • Hair dryer or heat gun (nice to have but not required)

Course Details

Location18 Maple St, Scottsville, NY 14546, USA
LevelBeginner
Capacity10 students

instructor info

Languages spoken: English

At the intersection of chemistry and craft is where Kansas City-based Kelly Parker feels most at home. She is a designer and maker of contemporary studio furniture and sculpture. After graduating with a degree in biochemistry, she worked in the corporate world for 18 years before taking a rather circuitous route into art. Her chemistry background informs her pragmatic approach to problem-solving in building the sculptural designs that are the hallmark of her work. She has a curvy, contemporary aesthetic and often uses steam bending, bent laminations, and vacuum forming as part of her process. Kelly finds design inspiration wherever she sees a beautiful form, whether it is a flower or the engine cowling on a Boeing Dreamliner. To accelerate the transition from analytical chemist to artist, Kelly has taken numerous design and technique classes at various craft schools while also extensively experimenting in her own studio. She has been an artist-in-residence in Michael Fortune’s studio in Canada and was selected as an artist-in-residence at the Centre for Fine Woodworking in Nelson, New Zealand. She has been awarded professional development grants from the Furniture Society and Anderson Ranch Arts Center, was the first recipient of a professional development grant awarded by the Krenov Foundation and was awarded Best in Show at the biannual chair exhibition, American Craft Today: Chairs, hosted by The Bascom Gallery in North Carolina. Her work has been featured in Fine Woodworking, Australian Wood Review, and Rooted: Creating a Sense of Place: Contemporary Studio Furniture. Kelly is also an occasional writer for Australian Wood Review. In addition to making and writing, Kelly also teaches at craft schools and guilds across the US. https://woodsongstudio.com/

location

18 Maple St, Scottsville, NY 14546, USA

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